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We needed to bring in a major player like two time Grammy nominee Trevor Spencer to really figure this thing out. We are getting to the core of something that feels very important. A set of old school principles for a new school of heritage revivalist recording freaks.

Max is rattling down streets in a Fender humming panic. His Princeton is on the outs, more whole lotta nothing than whole lotta love. We make a call, so he puts the car in idle to cough up half remembered dreams while New York leaks past the windshield in streaks.

Cut Worms are gearing up for another North American odyssey in support of “Transmitter,” and he talks to us live from the driver’s seat about the great American rock existentialists, Chilton, Westerberg, Elliott Smith, and beyond.

So join us on the journey. It’s Holden Caulfield drifting through a Peter Hujar afternoon, where everyone and everything looks beautiful and doomed at the same time.

We love you, Max.

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@impossiblewayoflife is made by musicians, for musicians, pulling back the curtain on the grind, the glory, and the gloriously unhinged world of making music.

SUBSCRIBE TO IMPOSSIBLE WAY OF LIFE ON PATREON TO ACCESS FULL EPISODE https://www.patreon.com/animpossiblewayoflife

We reclaim the word LEGIT for the way WE like to make music. The Beatos and Colliers of the world be damned. Also on this episode: a round of "Funny / Not Funny"...a new way to decide if bands are good or not.