Continuing on the "Spirit" chapter (more specifically. "Culture and its realm of actuality") in Hegel's Phenomenology, now covering sec. 490-510. How exactly does the process of acculturation work?

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We talk about the Scream meta-slasher film franchise, from the original Wes Craven /Kevin Williamson 1996 debut starring Neve Campbell, and Courtney Cox to the new one (#7), still with three out of four of those participants (Wes Craven being dead).

Is the self-reflection about the horror genre in these films actually elevating, or just a permission structure to enjoy the base pleasure of seeing people murdered? Are these actually films that people who normally hate slasher movies still might enjoy?

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In this pitched, high-stakes battle, your hosts have it out about astrological biases, doing offensive accents, letting go of control in an improv scene, and group-based restrictions on who you feel you date.

Does Jesus have time to appear on your toast? Are all TV characters robots in a shared robot universe? Are zodiac signs based on serial killer characteristics? How does Pluto FEEL about not being a planet any more? So many vital questions definitively addressed in one meditation together...

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